The Swing Shift Shuffle is a radio program of swing, big band, jazz, boogie woogie and other popular music from the 1930's and 40's that airs every Wednesday from 6:00 to 8:00 p.m. (US Central Time) on WEVL 89.9 FM in Memphis, Tennessee, with a live webcast at wevl.org. In addition to the radio show, this blog is dedicated to all aspects of the Swing Era, including art, automobiles, cartoons, comics, history, movies, music, news, science, technology, and anything else that happened during that time. It also includes announcements about events in the Memphis/Mid-South area related to the Swing Era, such as classic movies, concerts, dances, lectures, etc. If you see something that fits the description, send it to me at tim@wevl.org. If you would like more information about the radio show, just go to the Radio Show FAQ page.

Wednesday, August 26, 2015

This Week In Film History

The regular This Week In Film History item on MovieFanFare included several notable events from the Swing Era this week, including the premieres of two good movies I have been fortunate to see - Capra's You Can't Take It With You and Hitchcock's Rope. 
August 26, 1930: The silent cinema loses one of its greatest stars when “man of a thousand faces” Lon Chaney succumbs to bronchial cancer at the age of 47.
August 24, 1937: “The Dead End Kids” (Huntz Hall, Billy Halop, Leo Gorcey, et. al.) reprise their stage roles in the film version of Dead End, co-starring Humphrey Bogart.
August 23, 1938: Filmmaker Frank Capra’s three-year-old son, John, dies while hospitalized for a tonsillectomy on the same day that the director’s latest film, You Can’t It with You, premieres.
August 24, 1938: MGM’s price for the loan of Clark Gable‘s services to Selznick for Gone With the Wind: the distribution rights and 50 percent of the profits.
August 23, 1943: Olivia de Havilland files her trailblazing lawsuit against Warner Brothers that ultimately breaks the studios’ practice of extending performer contracts indefinitely.
August 28, 1948: Alfred Hitchcock’s Rope, with all the action taking place over continuous ten-minute takes and seamless cuts to the next scene, opens.

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