The film opens metaphorically with a close-up shot of a flashing light bulb (a warning signal?) and then transitions into a shot of a crowded London street right before a blackout. In true Hitchcockian fashion, the film cuts back to the flashing light bulb and we watch as the light slows its pace and then goes completely out upon the blackout. Another quick cut takes us to the Bijou,a movie theatre run by Karl Verloc (Oskar Homolka). Dressed in the typical accoutrement of a shady figure—a dark overcoat—Verloc seems to be sneaking back into his home just after the blackout hits. When he lays down on the couch and covers his face with a newspaper, you instantly know something just isn’t kosher. When his wife (Sylvia Sidney) comes to complain that the theatre’s patrons want their money back he tells her to give it to them, hinting that they don’t have to worry about money any more. Why?